At the crossroads of electronic and instrumental music, Jean-Philippe Gross develops a physical relationship with sound, playing with ruptures and acoustic phenomena.
Never locked into any systematism, Jean-Philippe Gross allows himself the extremes to take advantage of a wide field of possibilities and pays particular attention to the timbre, the grain and the quality of the sound, even rough. He works for dance, has composed for small ensembles (Dedalus ensemble, Phonoscopie).