Ashley Paul is an American performer and composer based in London. She uses an array of instruments including saxophone, clarinet, voice, guitar, bells and percussion, mixing disparate elements to create a colorful palate of sound that works its way into her intuitive songs; free forming, introverted melodies. This blend manifests beautiful and simple musical forms against acoustic experimentation.

Ashley has performed or recorded with Phill Niblock, Rashad Becker, Nik Colk Void, Loren Connors, Heatsick, Aki Onda, C. Spencer Yeh, Anthony Coleman, Bass Clef, Joe Maneri, Joe Morris, Seijiro Murayama, Greg Kelley, Bill Nace and Eli Keszler appearing on such labels as Important, PAN, ESP-DISK’ and Tzadik. She received a Masters of Music from New England Conservatory in 2007.

Anne-F Jacques is a sound artist based in Montreal, Canada. She is interested in amplification, erratic devices and oblique interactions between materials with the construction of various contraptions and idiosyncratic systems.

Jacques creates unique sound-making Objects from small motors, found objects and other discarded parts, and she utilizes contact mics and tiny amplification set-ups to produce really fascinating textures and unexpected rhythms.

Her particular focus is on low technology, trivial and unpolished sounds. She regularly realizes installations, performances and ephemeral interventions and gives workshops about domestic appliances hacking. She has worked amongst others with Tsonami Festival (Chile), Experimental Intermedia (New York), Ftarri (Tokyo), CTM (Berlin), Umbral (Mexico), Centrale for Contemporary Arts(Brussels), High Zero (Baltimore) and MEM (Bilbao).

In addition to her sound work, Jacques also ran Crustacés Tapes, a sound art distribution project where people could send postcards or gifts in exchange for the different cassettes that were available. More recently, she has moved on to starting Presses Précaires, a DIY label focused on releasing “obscure and luminous sounds on magnetic tape.”

Laurie Tompkins (b.1990) is a UK composer, performer and co-founder and co-director of the Slip label. \ \ From scores for samples, instruments and voices he creates a grabbable music that dreams and confounds. Bodies, things, words, and sounds strain under duress, looping their way through scenes of grubby presence, not-quite riff, mouldy echo, and swollen bombast.

His spring 2022 discs for Entr’acte, 33-33 and Hyperdelia are a thick, unruly soup of keys and computer with pianist Eliza McCarthy; a desperate suite of consoling, tanked songs with takes from Jess Hickie-Kallenbach, Teresa Winter, Gwilly Edmondez and videos by Joel Wycherley; and some dilated rotten soul with Eliza and Ashley Paul.

Laurie helms Slip, which has released music by Yeah You, Mica Levi, Julia Reidy, Bass Clef, Object Collection, ilgendo, Chaines & Competition, Old releases of his own include ‘Ample Profanity' (2018), with cellist Oliver Coates; 'Heat, War, Sweat, Law' (2016); and 'Exorcise' (2021), as Yes Indeed with bassist Otto Willberg, justly hailed as “proper, mad scones” (Boomkat).

Performances: Café Oto, Aldeburgh Music, Spike Island, Harp Art Lab (Harplinge) and National Sawdust (New York). Commissions: House of Bedlam, Daylight Editions, LSO Soundhub Scheme, ddmmyy and 840 series. Radio: specials for NTS and Resonance FM and a session with Adam Bohman recorded at Maida Vale studios, broadcast on BBC Radio 3.

laurietompk.info

Otto Willberg plays various bass instruments and lives in London. Live, Otto performs unashamedly melodic improvisational workouts created almost entirely with heavily filtered bass harmonica and electric bass. Strangely abstracted funk and fusion, a blend of the abstruse and immediate. silky smooth, luxurious, odd and compelling, "like listening to Eberhard Weber through a drainpipe”.

Otto is often heard on acoustic and electric bass with Laurie Tompkins (Yes Indeed) and Charles Hayward (Abstract Concrete//This Heat), as well as the fractured No Wave unit Historically Fucked. His previous solo releases have ranged from extended technique double bass to explorations of the acoustics of a 19th century artillery fort.

He has a solo record called ’The Leisure Principle’ out on Oren Ambarchi's the Black Truffle label. 6 unashamedly melodic & profoundly strange workouts for heavily filtered bass harmonica & electric bass!

Eroteme is a Manchester based concert series championing experimental music from the hinterlands. Home of the Uncategorizable. Foraging new sonic territories in electronics, improvisation and beyond.