Eroteme’s bank holiday Monday contribution features the improvised concrete interjections of Revox B77 maestro Jérôme Noetinger supported by the digital glitches and microsound of Feronia Wennborg and Simon Weins ‘Soft Tissue’ project.
Jérôme Noetinger (1966) is a composer, improviser and sound artist who works with electroacoustic devices such as the Revox B77 reel-to-reel tape recorder and magnetic tape, analogue synthesisers, mixing desks, speakers, microphones, various electronic household/everyday objects and home-made electronica.
He performs both solo and in ensembles (Cellule d'Intervention Metamkine, Le Un, Hrundi Bakshi, Les Sirènes, Proton…), and collaborates often (Sophie Agnel, Lionel Marchetti, Aude Romary, Angelica Castello, Antoine Chessex, Anthony Pateras, Anne-Laure Pigache…).
From 1987 to 2018, he was the director of Metamkine, a non-profit organisation dedicated to the distribution of improvised and electroacoustic music.
Between 1987 and 2014 Jérôme was a member of the editorial committee of the quarterly journal of contemporary sound, poetry and performance, Revue & Corrigée.
For ten years from 1989, he was a member and programming co-ordinator of exhibitions, gigs, and experimental cinema at le 102 rue d'Alembert, Grenoble.
Soft Tissue is the collaboration between Glasgow/Stockholm-based artists Feronia Wennborg and Simon Weins. Working with DIY electronics, domestic recordings and digital feedback, the duo develops material through a continued process of re-sampling and digital transformation.
Eroteme is a Manchester based concert series championing experimental music from the hinterlands. Home of the Uncategorizable. Foraging new sonic territories in electronics, improvisation and beyond.