Miki Yui joins us during her UK tour to promote 'Mills' her 6th studio record. Boundless solar oscillations in exquisite cycle; Miki Yui's sound is as playful as it is mesmerizing.
Cuspeditions warmly welcomes Japanese artist Miki Yui to the label with a work delicately crafted from field recordings, synthesizer, solar oscillator and sampler. Yui is known for the unique nature of her music (apparent also in past collaborations with Rolf Julius, Rie Nakajima and Klaus Dinger), and whilst Mills retains the subtlety and sensuousness of her earlier works, these new coherent and lucid compositions are charged with a narrative tension we’ve not heard before.
“When listening to "Mills" I sometimes have the feeling I'm watching a theatre piece. Her sound-events seem almost distinct, have a shimmering autonomy, like a procession of characters appearing on stage connected through an on-going dramaturgy. In the past, her sonic characters have often emerged from quiet, if not silent places. In this new work, the 'background radiation', the acoustic scenography if you like, seems denser. Nevertheless her sounds are still able to achieve `escape-velocity´ and float effortlessly away - an exquisite handwriting against a changing sky.”
– Anthony Moore (Slapp Happy)
Born 1971 in Tokyo. Artist, composer, musician based in Düsseldorf since 1994. Multi-disciplinary artist, crossing the boundary of music, performance, drawing, and installation.
She investigates the grey zone of our perception, between the reality – imaginary.
Recently, the field of her work deals with environmental issues. Since 2019 though Flux Project, in collaboration with Nathalia Favaro, they create occasionally a space to reconnect with the environment as well as with ourselves.
Parallel to her own work, she worked with Klaus Dinger (NEU! La Düsseldorf) from 2000. Since 2008, she takes care of Klaus Dinger Archive. Collaboration with Rolf Julius since 2004, with Carl Stone as Realistic Monk since 2015 and with Asmus Tietchens in 2021.
Through using sound recording to train his ears, Patterson has developed a dual practice that includes live performance and fixed works. By exploiting chemical and mechanical synthesis, he has created a range of amplified devices and processes that produce or uncover complex sound in unexpected places.
From rock chalk to springs, from burning nuts to aquatic life and insect chants inside plants, he eavesdrops upon and makes a novelty of playing objects and situations otherwise considered mute.
His collaborators have included Mika Vainio, Jennifer Walshe, Vanessa Rossetto, David Toop, Rhodri Davies and John Butcher, Greg Pope, Benedict Drew, Luke Fowler, Lucio Capece, Rie Nakajima, Angharad Davies, Keith Rowe, John Tilbury, Xavier Charles and Tetsuya Umeda.
His works have featured on UK television, BBC Radios 3, 4 and 6, Resonance FM and on radio stations worldwide.
He lives and works in Prestwich, Manchester, UK.